Skip to main content.
Bard
  • Bard College Logo
  • Academics sub-menuAcademics
    • Programs and Divisions
    • Structure of the Curriculum
    • Courses
    • Requirements
    • Academic Calendar
    • College Catalogue
    • Faculty
    • Bard Abroad
    • Libraries
    • Dual-Degree Programs
    • Bard Conservatory of Music
    • Other Study Opportunities
    • Graduate Programs
    • Early Colleges
  • Admission sub-menuAdmission
    • Applying
    • Financial Aid
    • Tuition + Payment
    • Campus Tours
    • Meet Our Students + Alumni/ae
    • For Families / Familias
    • Join Our Mailing List
    • Contact Us
  • Campus Life sub-menuCampus Life
    Living on Campus:
    • Housing + Dining
    • Campus Services + Resources
    • Campus Activities
    • New Students
    • Visiting + Transportation
    • Athletics + Recreation
    • Montgomery Place Campus
  • Civic Engagement sub-menuCivic Engagement
    Bard CCE
    • Engaged Learning
    • Student Leadership
    • Grow Your Network
    • About CCE
    • Our Partners
    • Get Involved
  • Newsroom sub-menuNews + Events
    • Newsroom
    • Events Calendar
    • Press Releases
    • Office of Communications
    • Commencement Weekend
    • Alumni/ae Reunion
    • Family and Alumni/ae Weekend
    • Fisher Center + SummerScape
    • Athletic Events
  • About Bard sub-menuAbout
      About Bard:
    • Administration
    • Bard History
    • Campus Tours
    • Mission Statement
    • Love of Learning
    • Visiting Bard
    • Employment
    • Support Bard
    • Global Higher Education Alliance
      for the 21st Century
    • Bard Abroad
    • The Bard Network
    • Inclusive Excellence
    • Sustainability
    • Title IX and Nondiscrimination
    • Inside Bard
    • Dean of the College
  • Giving
  • Search
Studio Arts | Bard

News and Events

Studio Arts Menu
  • Requirements + Courses
  • Faculty + Staff
  • Facilities + Resources
  • Fund for Visual Learning
  • News + Events

Studio Arts News

a black and white photo of a woman playing the violin

Artist and Bard College Alumna Simi Stone ’24 Published in Hudson Valley One

Stone has always returned to a consistent theme of nature inspired by her hometown of Woodstock.

Artist and Bard College Alumna Simi Stone ’24 Published in Hudson Valley One

a black and white photo of a woman playing the violin
Artist Simi Stone ’24.
Simi Stone ’24, Bard College alumna, artist, and musician, published a piece in Hudson Valley One about becoming a painter. Stone, who was a studio arts major while at Bard, recounts how her artistic journey has evolved throughout her life, from when she was a child drawing florals on her belongings to working during her MFA at Tufts School of the Museum of Fine Art in Boston, from which she graduated this year. Throughout it all, she has returned to a consistent theme of nature inspired by her hometown of Woodstock. Drawing from personal and collective histories, her work transforms memory, grief, and resilience into immersive visual narratives where flowers, landscapes, and gestures become portals to the spirit. “Like many Woodstock artists, I process all aspects of my life through making art through painting, music, the written word, or whatever other medium,” Stone writes. “The outcomes may be unique, but they stem from one family, a single electron.”

The Studio Arts Program at Bard provides a breadth of expanded offerings while retaining a strong core of courses that provide a firm grounding in basic techniques and principles, in an era when much contemporary art cannot be contained within the traditional categories and technology is transforming the production of visual images.
Read Stone’s Essay in Hudson Valley One

Post Date: 07-21-2026
a woman smiles at the camera

Bard Scholar Julianne Swartz MFA ’03 Awarded Grant from Bobby Anspach Foundation

The grant will support Swartz’s project, Heart Flow Instrument, a large-scale contemplative environment in the form of a deconstructed fountain that functions as a body in itself, where water, sound, light, and human presence circulate through interconnected vessels.

Bard Scholar Julianne Swartz MFA ’03 Awarded Grant from Bobby Anspach Foundation

a woman smiles at the camera
Julianne Swartz MFA ’03, associate professor and codirector of the studio arts program.
Julianne Swartz MFA ’03, associate professor and codirector of the studio arts program at Bard College, has been awarded a $50,000 grant from the Bobby Anspach Foundation, an organization created to support artists, scientists, and researchers whose work advances dialogue on meditation, psychology, creativity, and collective engagement as pathways to global harmony and health. Swartz, whose work focuses on multisensory installations, was one of two artists chosen from over 3,300 applicants for the inaugural flagship grant.

The grant will support Swartz’s project, Heart Flow Instrument, a large-scale contemplative environment in the form of a deconstructed fountain that functions as a body in itself, where water, sound, light, and human presence circulate through interconnected vessels. Each visitor becomes a component of that body, contributing vital rhythms to a shared sensory field. As visitors engage with sensors, their cardiac and neural rhythms radiate through the installation, affecting the sonic and haptic environment others inhabit.

“This generous funding will allow me to experiment with biomedical sensors to explore new thresholds of interactivity using human biorhythms to shape sound and light,” said Swartz.

The Bobby Anspach Foundation was established to carry forward the vision of artist Bobby Anspach, through the belief that art holds the power to fundamentally transform how we understand ourselves and each other. This year's flagship grants support artists whose work uses immersive technology and sensory experience to open new pathways into consciousness, empathy, and collective transformation. Throughout 2026, the foundation will spotlight the work of all grant recipients across its platforms and through foundation programming such as events, conversations, and gatherings designed to share this research across disciplines and introduce the grant recipients to new audiences.

Post Date: 07-17-2026
Bard College Artist in Residence Julia Weist Featured in the <em>Los Angeles Times </em>and the <em>New York Times</em>

Bard College Artist in Residence Julia Weist Featured in the Los Angeles Times and the New York Times

“What I was doing was using my abilities as an artist to circumnavigate their attempt at exercising their power and preventing me from using this exchange as material in my practice.”

Bard College Artist in Residence Julia Weist Featured in the Los Angeles Times and the New York Times

Bard College Artist in Residence Julia Weist Featured in the <em>Los Angeles Times </em>and the <em>New York Times</em>
Julia Weist, visiting artist in residence in studio arts. Photo by Adam T. Deen.
Julia Weist, visiting artist in residence in studio arts at Bard College, was featured in the New York Times and the Los Angeles Times in articles about her performance work Questioning, for which she was awarded a MacDowell Fellowship. Questioning re-enacts an exchange between Weist and New York's Department of State, which investigated her artistic use of a private investigator license. After leveraging her research-based artistic practice to earn PI credentials in 2022, Weist had gained access to restricted tools that aggregate sensitive, non-public data about American citizens, which she used to create photographs that arranged and obscured information she purchased about herself, her spouse, and neighbors. New York's Department of State opened an inquiry into her licensure, but dropped its case when it determined that none of Weist's work violated the rules of the credential. When Weist, who had taken an audio recording of the process for notes, asked for the state’s video recording, she was told that the footage could not be located. Her own recording became the basis of Questioning, faithfully restaging her interrogation with NY's deputy chief investigator as a theatrical production. 

“In the absence of the official video, there’s something special that happens, which is that I can demonstrate the case again,” Weist told the LA Times. “What I was doing was using my abilities as an artist to circumnavigate their attempt at exercising their power and preventing me from using this exchange as material in my practice.”
 
Read More in the New York Times
Read More in the Los Angeles Times

Post Date: 07-15-2026

Upcoming Events

  • 7/25
    Saturday
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World

    Saturday, July 25, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.

    Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
    Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1340-betty-parsons-an-expanded-world

    Go to Event Page
  • 7/25
    Saturday
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz

    Saturday, July 25, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.

    The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.

    More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1307-replica-of-a-chip-the-weaving-technology-of-marilou-schultz

    Go to Event Page
  • 7/26
    Sunday
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World

    Sunday, July 26, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.

    Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
    Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1340-betty-parsons-an-expanded-world

    Go to Event Page
  • 7/26
    Sunday
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz

    Sunday, July 26, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.

    The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.

    More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1307-replica-of-a-chip-the-weaving-technology-of-marilou-schultz

    Go to Event Page
  • 7/29
    Wednesday
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World

    Wednesday, July 29, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.

    Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
    Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1340-betty-parsons-an-expanded-world

    Go to Event Page
Bard College
30 Campus Road, PO Box 5000
Annandale-on-Hudson, New York 12504-5000
Phone: 845-758-6822
Admission Email: [email protected]
Information For
Prospective Students
Current Employees
Alumni/ae 
Families

©2026 Bard College
Quick Links
Employment
Travel to Bard
Search
Support Bard
Bard IT Policies + Security
Bard Privacy Notice
Bard has a long history of creating inclusive environments for all races, creeds, ethnicities, and genders. We will continue to monitor and adhere to all Federal and New York State laws and guidance.
Like us on Facebook
Follow Us on Instagram
Threads
Bluesky
YouTube