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Studio Arts | Bard

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Studio Arts News

A professional photo portrait of Cecilia Alemani MA-CCS '05

Multiple Bard Alumni/ae Named to 2026 TIME100 Art List

Three Bard alumni/ae have been named to a list of the 100 most influential curators and artists working today.

Multiple Bard Alumni/ae Named to 2026 TIME100 Art List

A professional photo portrait of Cecilia Alemani MA-CCS '05
Cecilia Alemani MA-CCS '05, director and chief curator of New York City's High Line, is among the three Bard alums included in the TIME100 Art list.
Three Bard alumni/ae and an Artist in Residence have been named to the TIME100 Art list for 2026, which identifies the 100 most influential curators and artists working today. Those alumni include Christine Sun Kim MFA '13, a visual artist who pairs drawings with sound, and Artist in Residence Jeffrey Gibson, a sculptor whose work has been exhibited at the Venice Biennale and the facade of the Metropolitan Museum of Art. The list also includes Cecilia Alemani MA-CCS '05, director and chief curator of New York City's High Line, and Diya Vij '08, commissioner of cultural affairs for the City of New York.

“Artists don’t work in a vacuum,” TIME writes. “They are supported by a massive ecosystem, from philanthropists and nonprofits who fund work, to gallerists and advisers who shape careers, to curators, museum leaders, [who] make art possible.” Asked by TIME about her work with New York’s Cultural Stability Fund, Vij said, “I was really interested in making gathering spaces where people could surface the ideas of what it looks like [to] live together differently, to govern differently, to build a different world.”

Bard’s programs include the undergraduate Studio Arts Program, which provides a breadth of expanded offerings while retaining a strong core of courses that provide a firm grounding in artistic techniques and principles. They also include Bard’s MFA Program, a two-year multidisciplinary program focused on individual process and work in progress, as each student confronts the conceptual and practical questions at the core of all artistic production. 
 
Read the TIME100 Art list

Post Date: 09-23-2026
Tschabalala Self ’12 standing for a professional photo with a serene expression.

Visiting Artist Tschabalala Self ’12 Profiled in L’Officiel

“I’m interested in the ways people build their own worlds around my work and see a part of themselves,” Self said.

Visiting Artist Tschabalala Self ’12 Profiled in L’Officiel

Tschabalala Self ’12 standing for a professional photo with a serene expression.
Tschabalala Self ’12. Photo by Paula Virta
Bard Visiting Artist Tschabalala Self ’12 was profiled by L’Officiel on the occasion of her sculpture’s unveiling in Trafalgar Square on September 10. Self is the second American artist in two decades to have her work selected for display on the famous fourth plinth in Trafalgar Square, one of the world’s most prestigious public art commissions. Self’s sculpture depicts a Black woman in motion, described by the artist as an everywoman figure. “Her presence is in fact very quotidian and mundane,” says Self of her sculpture, yet she sees its installation in Trafalgar Square as “a kind of social experiment.” “I’m interested in the ways people build their own worlds around my work and see a part of themselves,” says Self.

In an overview of Self’s artistic career, L’Officiel notes that her sculpture and textile work has appeared in exhibitions from MOMA PS1 to the Yuz Museum in Shanghai. “Self weaves figures that feel both invented and strikingly familiar,” writes Osman Can Yerebakan for L’Officiel. “In just a few years, she [has] established herself as one of the most closely watched artists of the last decade.”
Read in L’Officiel

Post Date: 09-15-2026
Tschabalala Self’s <em>Lady In Blue, </em>a sculpture of a Black woman in a blue dress walking confidently.

Visiting Artist Tschabalala Self’s ’12 Lady In Blue Unveiled in London’s Trafalgar Square and Featured in the Guardian

The sculpture is “a beacon that could shed light into a possible future,” Self says.

Visiting Artist Tschabalala Self’s ’12 Lady In Blue Unveiled in London’s Trafalgar Square and Featured in the Guardian

Tschabalala Self’s <em>Lady In Blue, </em>a sculpture of a Black woman in a blue dress walking confidently.
Tschabalala Self’s sculpture Lady In Blue.
A sculpture by Visiting Artist Tschabalala Self ’12 was unveiled in London’s Trafalgar Square on September 10. Lady in Blue stands prominently on the Square’s fourth plinth, one of the world’s best-known commission spaces for public art. The fourth plinth has been host to a rotating series of contemporary artists including Mark Wallinger, Katharina Fritsch, and David Shrigley.

The Guardian also featured Self in advance of Lady in Blue’s unveiling. Speaking about the sculpture, which the artist describes as an image of an everywoman striding forward into the future, and “a beacon that could shed light into a possible future,” she says, “it’s about there being space for all in places that were formerly weighted down by antiquated gestures, belief systems and impossibilities." The Guardian describes her work as “a lurid, vivid, super-colourful, mega-joyful celebration of everyday bodies” embodying “simplicity, joy, and above all freedom.” Lady in Blue will remain on the plinth for two years.

Self is a visiting artist in Bard’s Studio Arts Program, which provides a breadth of expanded offerings while retaining a strong core of courses that provide a firm grounding in basic techniques and principles, in an era when much contemporary art cannot be contained within the traditional categories and technology is transforming the production of visual images.
Read More in the Guardian

Post Date: 09-09-2026

Upcoming Events

  • 9/28
    Monday
    Various Campus Locations

    Bard College Transportation Services

    Monday, September 21, 2026 – Thursday, December 24, 2026
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    Visit  our website to find out about free shuttles for Bard students, staff and faculty to the Poughkeepsie Metro North train station, Rhinecliff Amtrak, Target, Walmart, Red Hook, Tivoli, Montgomery Place, Massena Campus, JFK, Albany, and La Guardia airports. 

    Check our homepage for delays and cancellations to our services as well.

    https://blogs.bard.edu/transportation

     

    Contact: Alison Link
    Phone: 845-758-7625
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    Go to Event Page
  • 9/30
    Wednesday
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World

    Wednesday, September 30, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.

    Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
    Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1340-betty-parsons-an-expanded-world

    Go to Event Page
  • 9/30
    Wednesday
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz

    Wednesday, September 30, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.

    The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.

    More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1307-replica-of-a-chip-the-weaving-technology-of-marilou-schultz

    Go to Event Page
  • 10/01
    Thursday
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World

    Thursday, October 1, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard Galleries

    Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.

    Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists.
    Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1340-betty-parsons-an-expanded-world

    Go to Event Page
  • 10/01
    Thursday
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz

    Thursday, October 1, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.

    The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.

    More info here.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

    Website: https://ccs.bard.edu/museum/exhibitions/1307-replica-of-a-chip-the-weaving-technology-of-marilou-schultz

    Go to Event Page
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