2025
Saturday, April 19, 2025 Bard Exhibition Center 3:00 pm – 6:00 pm EDT/GMT-4 Please join us to celebrate the work of our second group of senior students exhibiting in Red Hook at the Bard Exhibition Center: Tommy Bennett, Veritie Howard, Mya Muchineuta, Autumn Knight, Zoe Mogannam, Mia Natelli, Paulina Jamieson, Sammie Perez, Roma Taitwood, and Calum Tinker. |
Saturday, April 5, 2025 Please join us to celebrate the senior thesis work of our first group of Studio Art Senior Students: L.A., Bruno Licamele, Blossom Bogen-Froese, Tess Cogen, Eva Gretskaya, Logan Tondini, Maggy Peyton, Margartia Padua, and Sara Garcia Roth. |
Tuesday, March 4, 2025 Lazard often repurposes ready-made objects, such as a HEPA air purifier, a noise machine, and a power-lifter recliner chair, calling attention to the dependencies and infrastructures of care that sustain social life. CRIP TIME (2018) is a video-based meditation on the time Lazard devotes to organizing a week’s worth of different medications into brightly colored, plastic pill containers. Through documenting this care-based task, Lazard makes visible the often-obscured care and labor of staying alive. In much of their practice, access is both a theme and a material of their work. All are welcome! Bard is committed to making every effort to provide reasonable accommodations for accessibility needs. For accommodation requests or for more information about this event, please contact Paige Mead, Studio Art Department Administrator at [email protected]. Carolyn Lazard received a BA from Bard College and an MFA from the University of Pennsylvania. Their work has been exhibited in solo and group exhibitions at national and international venues including the Museum of Modern Art; Museum of Contemporary Art, Los Angeles; Walker Art Center; Institute of Contemporary Art, University of Pennsylvania; MoMA PS1; Museum für Moderne Kunst; Whitney Museum of American Art; and the Venice Biennale. In addition to their work as an artist, Lazard writes about their experience of chronic illness and the limitations of biomedical understandings of health. They authored the guidebook Accessibility in the Arts: A Promise and a Practice, which details specific ways that museums and other cultural spaces can meet the needs of disabled communities. |