Bard Faculty Tanya Marcuse and Adriane Colburn Awarded a Marble House Project Residency
Marcuse will develop a new body of work titled Circle | Cycle, and Colburn will developher project Windward.
Bard Faculty Tanya Marcuse and Adriane Colburn Awarded a Marble House Project Residency
L–R: Tanya Marcuse, associate professor of photography; and Adriane Colburn, artist in residence at Studio Arts.
Bard faculty members Tanya Marcuse, associate professor of photography, and Adriane Colburn, artist in residence in Studio Arts, have each been selected for summer residencies at the Marble House Project in Dorset, Vermont. Each year the residency program welcomes approximately fifty artists to participate in a series of three-week sessions. Each session brings together a carefully curated cohort of eight artists working across disciplines that include the visual arts, writing, music, choreography, and performance, in order to foster collaboration, dialogue, and the exchange of ideas.
During her residency, Marcuse will develop a new body of work titled Circle | Cycle, exploring the symbolic and cosmological power of the circle as both subject and structure. Using natural materials gathered from the surrounding landscape, she will construct and alter a single circular assemblage, documenting its evolution through photographs and a looping stop-motion film. Long associated with ideas of wholeness, infinity, and cosmic order, the circle in this project becomes a site where creation and rupture coexist on the same plane. Marcuse will invite fellow artists to contribute locally found materials, creating a collaborative process rooted in place.
While in residence, Colburn will develop Windward, a suite of artworks that explore the resonance of trees increasingly felled by wind and water. Through research on vulnerable tree species across northeastern forests, riparian zones, and urban landscapes, and the climatic pressures that bring them down, her project examines the environmental conditions reshaping contemporary forests and the material possibilities of salvaged wood. Working with arborists, foresters, and rural sawyers, she will recover fallen trees and transform them into lumber and paper pulp as raw material for sculptures, installations, and works on paper. The resulting artworks explore interspecies connectivity, woodcraft traditions, and poetic traces of environmental forces embedded within the wood, illuminating escalating environmental crises and their complex web of cause and effect.
Post Date: 03-17-2026
Four Bard Alumnae Named to Zohran Mamdani’s Transition Team
The transition team includes curators, art dealers, journalists, and arts and nonprofit administrators.
Four Bard Alumnae Named to Zohran Mamdani’s Transition Team
L-R: Ruba Katrib MA ’07, Diya Vij ’08 (photo by Sam Richardson), and Cynthia Conti-Cook ’03.
Bard alumnae Ruba Katrib MA-CCS ’07 and Diya Vij ’08 were named to NYC mayor-elect Zohran Mamdani’s Arts and Culture transition team, and Cynthia Conti-Cook ’03 was named to the Committee on Government Operations. Bard alumna Betsy Plum ’08 has also been named to the Transportation, Climate, and Infrastructure Committee. Katrib is chief curator and director of curatorial affairs at MoMA PS1 in Queens, and Vij is vice president of curatorial and arts programs at Powerhouse Arts. Conti-Cook is the director of research and policy at the Collaborative Research Center for Resilience, where she leads work on digital public infrastructures and government use of digital technologies. Plum leads Riders Alliance, which organizes bus and subway riders The 28-member transition team includes curators, art dealers, journalists, and arts and nonprofit administrators throughout the city. “I think [Mamdani]’s platform resonates because most people ‘downtown’ are feeling the squeeze of a New York City unconcerned with its working class,” artist Aria Dean told ArtNews in March.
Artist Jeffrey Gibson Profiled in the Financial Times
Gibson’s art produces a “luminous, multisensory release," the Times writes.
Artist Jeffrey Gibson Profiled in the Financial Times
Artist in Residence Jeffrey Gibson. Photo by Brian Barlow
Bard College Artist in Residence Jeffrey Gibson was featured in the Financial Times ahead of his recent exhibition coinciding with Art Basel Paris. Gibson reflects on the trajectory of his artistic career, following his ups and downs before becoming the first Indigenous artist to represent the US at the Venice Biennale in 2024. Gibson shares that he nearly abandoned art in his 40s before moving to the Hudson Valley, finding his current studio, and beginning to experiment with his current “psycho-prismatic” art.
Gibson’s art includes sensory objects like flashes, jingle dress dance, and op-art patterns to produce a feeling of “luminous, multisensory release.” His upcoming show This Is Dedicated To The One I Love is focused on bright paintings inspired by prisms and nebulas. These pieces reflect his childhood, which he spent surrounded by many different cultures, and impart the sense that humanity is “encased by this planet… on the same, massive, phenomenal organism.”
5:30 pm – 7:00 pm EDT/GMT-4 Jim Ottaway Jr. Film Center
Visiting Artist: Juliana Huxtable
Wednesday, April 8, 2026 5:30 pm – 7:00 pm EDT/GMT-4 Jim Ottaway Jr. Film Center
Juliana Huxtable is a writer, artist and musician living and working Between New York and Berlin. She has had solo exhibitions at Reena Spauls, New York, Project Native Informant, in London, and the Museum of Modern Art, among others. Her work has been exhibited and collected The Guggenheim, The New Museum, Musée d'Art Moderne de Paris, Irish Museum of Modern Art, The Brooklyn Museum, The Studio Museum in Harlem, and The ICA London. Her forthcoming poetry collection will be published with Wonder Press in 2026. Her first collection of texts, Mucus In my Pineal Gland, was co-published by Wonder Press and Capricious in 2017, and she co-wrote Life: A Novel with Hannah Black, which was published in 2018 with Buchhandlung Walther König.
Saturday, June 27, 2026 11:00 am – 5:00 pm EDT/GMT-4 CCS Bard Galleries
Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.
11:00 am – 5:00 pm EDT/GMT-4 Hessel Museum of Art, CCS Bard
Replica of a Chip: The Weaving Technology of Marilou Schultz
Saturday, June 27, 2026 11:00 am – 5:00 pm EDT/GMT-4 Hessel Museum of Art, CCS Bard
Replica of a Chip: The Weaving Technology of Marilou Schultz marks the first survey of acclaimed Navajo/Diné weaver and mathematics educator Marilou Schultz. On view through November 29, 2026, the exhibition positions Schultz as an innovator whose work across culture and industry has influenced the practices of art, Navajo weaving, and computer architecture over a 65-year career. Replica of a Chip traces the full arc of Schultz’s artistic practice, demonstrating how she has consistently pushed the boundaries of experimentation within Navajo weaving, first through teaching herself new weaving styles, dyes, and techniques and later, using it as a means to reflect on the digital technologies shaping contemporary culture and society—from early computer microprocessors to stock market tickers and other digital data.
The exhibition is curated by Candice Hopkins (citizen of Carcross/Tagish First Nation, CCS Bard ‘03), Executive Director and Chief Curator of Forge Project and Fellow in Indigenous Art History and Curatorial Studies at CCS Bard.
Sunday, June 28, 2026 11:00 am – 5:00 pm EDT/GMT-4 CCS Bard Galleries
Betty Parsons: An Expanded World is the first major retrospective to examine the intertwined legacies of Betty Parsons (1900 - 1982) as both pioneering abstract artist and trailblazing gallerist who shaped the trajectory of 20th century American art.
Best known for ushering in the American avant-garde by establishing the careers of Barnett Newman, Mark Rothko, and Jackson Pollock, among others, Parsons also maintained a dedicated artistic practice throughout her life. This exhibition centers her output as a painter and sculptor, while exploring the radical history of the Betty Parsons Gallery and its support of underrecognized, experimental artists. Organized by Kelly Taxter (CCS ‘03) with artist Amy Sillman, Betty Parsons: An Expanded World features approximately 80 works spanning painting, sculpture, and works on paper, tracing Parsons’ voluminous output as she evolved from a young academic painter to a mature abstractionist over a six-decade career. A revelatory and newly commissioned, multi-channel film by G. Anthony Svatek and Kaija Siirala will bring to life the largely unknown history of the Betty Parsons Gallery. More info here.